My practice is rooted in an exploration of fragility, memory, and transformation. Ceramics and porcelain remain important mediums for me, but my practice is not limited to them. I am interested in the freedom to move between materials and spaces, allowing a single work to exist in different forms.
I engage with subjects that are often spoken about in whispers or avoided altogether: the female body, motherhood and reproductive experience, loss, migration, the search for home, and the acceptance of one's own vulnerability. These are personal yet social experiences that exist at the intersection of individual experience and collective silence.
In my practice, I often work with familiar everyday forms and objects: plastic packaging, dominoes, small architectural forms, and objects connected to the body and everyday rituals. I am drawn to things that are so familiar that they become almost invisible. By reproducing and transforming these objects, I change their material, scale, quantity, or context. This removes them from their original function and opens them up to alternative readings.
A piece of disposable plastic packaging, translated into porcelain, shifts from an object meant to disappear after a few minutes of use into a fragile object we want to preserve. A domino becomes a way of speaking about loss or victory. A small ceramic house, deprived of stable support and suspended in space, becomes an image of being "in-between": between places, past and future, belonging and alienation.
Repetition and multiplicity become a way for me to move from personal experience toward the collective. A single object can be perceived as an individual story; a multitude of similar objects begins to resemble a system, a statistic, or a shared memory. I am interested in the moment when personal experience ceases to belong to one person alone and becomes part of a broader conversation.
My practice moves between material, digital, and urban spaces. An object is not necessarily the final point of a work. It can become an image; an image can become a screen print, a poster, or a street intervention, and then return to physical space in another form. This freedom to move between mediums and to combine them, without limiting my practice to a single material, is essential to the way I work.
Fragility connects the materials I use with the themes I consistently return to: the body, memory, and home. I am interested in the moment when something that seemed stable begins to change.